The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry

paula-cpaula-c Posts: 7,221
edited January 1970 in General Discussion
The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry <br /><br />By VC | September 8th, 2011 | Category: Music Business | 178 comments <br /><br /><br />MTV’s Video Music Awards give out “Moon Man” trophies to music artists who have had success during the previous year. But there is much more to it than shiny gold trophies. The VMAs are a celebration of the Illuminati industry, of those who push its agenda and a promotional tool to put the next generation of “initiates” into the spotlight. We’ll look at the 2011 VMAs, the stars that were celebrated and the material that leads them there.<br /><br />leadvma1.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />The MTV Video Music Awards are considered to be a few hours of performances and award acceptance speeches mixed with a few shocking moments to generate publicity. But there is more to the award ceremony than meets the eye. This mega-media-event, broadcast around the world, serves several important purposes: First, it is a major promotional tool that allows a select group of artists to gain exposure and recognition while ignoring others; second, it is an almost ritualistic celebration of the Illuminati industry, spotlighting the artists who have pushed its agenda over the previous year. My article on the 2009 VMAs described the ritualistic and symbolic elements that were found throughout the show -  there was a definite occult element the underlying show and reflected the mind state of the industry.<br /><br />The 2011 VMAs arguably contained less occult ritualistic elements, but was still a tightly choreographed show featuring a very select number of artists. These few actors took turns, performing, presenting and awarding each other Moon Men. In other words, the VMAs can be compared to a burlesque play where a few actors take turns appearing on stage to interact with each others. Sometimes, new characters are introduced while others are “killed off”.<br /><br />Almost all of the artists who were recognized at the VMAs have been featured in some way on this site (Vigilant Citizen, in case you forgot), which is not surprising as most or all of their work pushes some part of the Illuminati industry. The main actors of this show were: Lady Gaga (of course), Katy Perry, Jessie-J, Jay-Z, Kanye West, Nicki Minaj, Beyonce and Odd Future. Wearing crazy, outlandish costumes and taking on theatrical personas, many of the artists featured in the award were not themselves, but playing characters. In fact, the show began with a long speech by Lady Gaga playing the role of a greasy Italian dude from the 1950s.<br /><br />Let’s look at the several “acts” of the 2011 VMA’s and their meaning in the context of the Illuminati industry.<br /><br />stage1-e1315242222876.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Artists and presenters emerged from a womb-like stage. They were literally coming out of the "belly of the beast".<br /><br />Lady Gaga's Alter Person<br />vma1.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Gaga's alter-ego opening the VMAs<br /><br /><br />The show opens with Gaga’s latest stunt: An male alter-ego that is a greasy annoying New York dude. Many of Gaga’s singles are accompanied with a complicated setup, including characters and theatrical props (remember the horns on her heads?) – all of which get exposure in several media outlets, including TV and magazines.<br /><br />For her single Yoü And I, Gaga introduced Joe Calderone, a male alter-ego. Like most of Gaga’s other stunts, most people have absolutely no idea why Gaga did what she did. Why was she dressed as an Italian dude to sing a country-rock song? What’s the point? Like most of Gaga’s other stunts, the occult meaning of this whole charade can be found in the music video.<br /><br />While the video could be the subject of an entire article, I can sum it up in a few words: mind control. More specifically, it is about Monarch programming and the creation of alter-egos through the use of trauma-inducing techniques. In the video, Gaga is shown bound and tortured by a cruel handler who subjects her to the most common methods of mind control: Electroshock therapy, sexual abuse, the injection of drugs and physical torture. Yes, all of these things were portrayed in a video, along with the presence the several alter-egos created by the process. (If you have no idea what I am talking about, I suggest you read the article entitled Origins and Techniques of Monarch Mind Control). <br /><br />So Lady Gaga, who is already an alter-persona of Stefanie Germanotta (the real person) has another level of alter-ego that is pretty much the exact opposite of Lady Gaga: Male, dressed in drab clothes, not glamorous, not famous, etc. In Calderone’s long speech at the beginning of the VMAs, Calderone says that Gaga left him and that he wants to be reunited with her. In occult terms, the union of opposites is called the “Alchemical Wedding” and is often represented by the figure of Baphomet – an androgynous, goat-headed deity. The title Yoü And I represents the union of the two opposite personas, Gaga and Joe Calderone, and, since they are basically same person, this ultimately creates an androgynous entity, not unlike Baphomet. In Kabbalistic lore, androgyny is perceived as the highest level of occult achievement and the concept of duality is strongly instilled in mind control victims. In other words, the presence of Joe Calderone at the VMAs is a big tribute to mind control. Good way to start a show. But Gaga did not stop there. She committed to her persona and played the role of Calderone during the entire show.<br /><br /><br />Alter Other People<br /><br />Lady Gaga’s alter-person was heavily featured at the VMAs, but most of the artists that participated in the awards incorporate alter personas in their acts.<br /><br />Nicki Minaj<br />Nicki Minaj is already a created alter persona, very different from the real person that is Onika Tanya Maraj. The odd, fashion-crazy, surgically-enhanced persona that is Minaj is a made-for-the-music-industry character created to become a star. On top of that alter, there is Roman Zolanski, a male alter-ego that appeared on some songs and that will probably be appearing a lot more in the future. Roman Zolanski is based on Roman Polanski, the movie producer who was charged for rape by use of drugs and lascivious act upon a child under 14 a few years ago.<br /><br />Nicki-Minaj-MTV-VMA-2011.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />During the 2011 VMAs, Nicki wore a Harajuku-inspired dress featuring mirror fragments (a Monarch symbol representing the fragmenting of personality). The combination of "kiddie" accessories with the sexiness of the dress' cut (it's "revealing" at the right places) is a little questionable<br /><br /><br />Katy Perry<br />Katy Perry was also all over the VMAs this year as one of the “main characters”. Her latest single titled Last Friday Night introduced Katy’s fans to her odd alter-ego: a nerdy 13 year old girl.<br /><br />katyperrylfn-e1315245634204.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Katy Perry's young alter-ego waking up next to some unknown perv.<br />To sum up the Last Friday Night video, this awkward teenager gets a make-over from Rebecca Black in order to look like a slut, then gets drunk and has a menage á trois. Great message to girls between ages 10-14!<br /><br />2011mtvvma_katyperry_win.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />One of the four outfits worn by Katy Perry featured a big bright cube on her head, as if her thoughts were controlled by it. In fact, it reminded me of the icon you see when selecting a player to control in the Sims video game.<br />sims.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />When this greenish shape hovers above a character, you can do pretty much whatever you want with it ... a little like how the industry can do pretty much whatever it wants with its artists.<br /><br /><br /><br />Odd Tributes<br />Every award show presents tributes to artists who had an outstanding career and to the greats who left this world. The VMAs are no exception but these tributes are becoming increasingly odd, insincere and dedicated to victims of the industry. In the article on the 2009 VMAs, I described the tribute to Michael Jackson, which was given by Madonna – someone who did not particularly “click” with MJ. The tribute also featured a weird video montage featuring him as zombie  – which is a strange way to honor a dead person.<br /><br />The 2011 VMAs presented two tributes that were just weird, almost mocking the artist in question.<br /><br />Britney Spears<br />Britney was the recipient of  the Michael Jackson Video Vanguard Award for her “influence in music video and dance”… although she did not direct any of her videos nor devise any of her choreography … but let’s forget this detail. To emphasize the non-sincerity of the tribute and to make sure to point out that “this is all an act”, the award is presented by Lady Gaga’s Joe Calderone … an imaginary character. Britney, who is a true mind control victim of the industry, who has often shown the desire to leave it all, is given an award by an alter-ego that is basically a tribute to mind control.<br /><br />The tribute then proceeds to show a mix of Britney’s most popular videos whose costumes and choreography were reproduced by young girls.<br /><br />BritneySpearsTributeVMA-e1315320575452.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />The tribute to Britney's career was performed by young girls in skimpy outfits, reminding us of Britney's "contribution" to the sexualization of children agenda.<br />When Britney finally gets on stage to accept her award, an awkward Joe Calderone pretty much steals the show.<br /><br />151994-gaga-britney1-e1315320827475.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Sorry, I'm not doing any transvestite lesbian kissing right now, but thanks for ruining my tribute.<br />Upon receiving her award, instead of giving acceptance speech and “having her moment”, Britney proceeds to … present Beyonce and goes on with Joe Calderone about how great she is. I am pretty sure that was scripted and forced on her, making this probably the most insincere tribute of all time. Or was it?<br /><br />Amy Winehouse<br />Having lost her life a few weeks prior to the awards, it was only fair that Amy Winehouse got a tribute for her great talent. However, as we have seen in the article entitled Amy Winehouse and Club 27, her death might have been the result of a ritual sacrifice and the tribute was at least as odd as the one for Michael Jackson, another great who died in strange circumstances.<br /><br />Russell Brand was selected to honor Amy Winehouse. He alluded to her great voice but talked about how she was a “crazy person, stinking of booze and wondering around London”. He then went on to say that she was afflicted with a “disease” that affect a lot of people, alcoholism and drug addiction, although no traces of drugs were found in Winehouse nor at her home at the time of the death. Why not focus on the human being and her accomplishments?<br /><br />The tribute performance that followed featured several images of Amy Winehouse with one eye hidden, which, as readers of this site know, is a symbol of Illuminati control.<br /><br />amy1.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />In the short video compilation before Bruno Mars' performance, we see Winehouse hiding one eye, then another.<br />amy2.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Image of Amy with one eye hidden during the performance<br /><br /><br />amy3.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Another image of Amy with an eye that seems to have been photoshopped.<br />The First Couple and the Big Announcement<br />Like the last few VMA awards, Jay-Z and Beyonce were pretty much the King and Queen of the 2011 ceremonies. First, Jay-Z and Kanye West performed the first single from their album Watch the Throne. This album opens with a revealing song entitled No Church in the Wild (featuring Odd Future’s Frank Ocean). The song describes a philosophy that is akin to Aleister Crowley’s “Thelema”. Kanye West’s verse goes as follows:<br /><br />Coke on her black skin made a stripe like a zebra<br />I call that jungle fever<br />You will not control the threesome<br />Just roll the weed up until I get me some<br />We formed a new religion<br />No sins as long as there’s permission<br />And deception is the only felony<br />So never f-ck nobody wit’out tellin’ me<br /><br />Aleister Crowley’s motto was “Do What Thou Wilt” which seems to be echoed in Kanye saying “We formed a new religions/No sins as long as there’s permission”. Crowley was also known to have extensively experimented with drugs and sexuality in a spiritual context – another concept reflected by his verse. Later in the song,  Kanye appears to be referring to relations with a Monarch sex kitten.<br /><br />Thinkin’ ’bout the girl in all-leopard<br />Who was rubbin’ the wood like Kiki Shepard<br />Two tattooes, one read “No Apologies”<br />The other said “Love is cursed by monogamy”<br /><br />The song therefore echoes similar themes to those communicated by other pop stars (such as Gaga) – which is the philosophy that is promoted by the entertainment industry.<br />Going back to the show, MTV’s first couple had an important announcement to its loyal  subjects: the first lady is with child and will be giving birth to the successor of the king.<br /><br />bey1-e1315342895349.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Beyonce in front of the womb-like stage, holding her own womb.<br />Proving the importance of the couple, this silent pregnancy announcement shattered all previous Twitter records with more than 8,000 tweets a second. This kind of attention reminded me of Jay-Z’s almost prophetic verse from the song New Day, from the album that was released about two weeks prior to the VMAs:<br /><br />Sorry junior, I already ruined ya<br />‘Cause you ain’t even alive, paparazzi pursuin’ ya<br />Sins of a father make yo’ life ten times harder<br />I just wanna take ya to a barber<br />Bondin’ on charters, all the shit that I never did<br />Teach ya good values, so you cherish it<br />Took me 26 years to find my path<br />My only job is cuttin’ the time in half<br />So at 13 we’ll have our first drink together<br /><br /><br />I would never speak ill of an unborn child. I will just hope that he/she won’t become another Willow Smith.<br /><br />Presenting the New Generation<br />The VMAs do not only celebrate current Illuminati artists, it “initiates” a new generation of artists who will carry the Illuminati torch into the future. A couple of new acts stood out in the 2011 VMAs.<br /><br />Jessie J, who already released a few symbolic music videos (see the article entitled Jessie J’s “Price Tag”: It’s Not About Money, It’s About Mind Control), enjoyed great exposure during that night by occupying the Throne, where she performed about a dozen times.<br /><br />jessij.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Jessie J sat on the Throne during the VMAs as a "new initiate".<br />The artist who obtained the most publicity was however Tyler the Creator from the alternate-rap, shock-rap, lo-fi rap, horrorcore rap, whatever-you-wanna-call-it group Odd Future. Considered to be (by people who know nothing about rap) the “new Wu-Tang Clan”, Odd Future obtained great praise from artists like Kanye West, who deemed Yonkers to be the song of the year, while getting criticized by others, such as Chris Brown, who tweeted: “All this demonic music is wack as shi*! I never claim to be no saint but by no means am I trying to promote death, violence,and destruction with my music!”.<br /><br />Whatever your opinion is on Tyler the Creator, it is obvious that his theatrical talent, his “anything to shock” attitude, his promotion of self-destruction and his love for inverted crosses will make him a perfect fit in the Illuminati industry. Expect to a lot more from him in the future.<br /><br />tyler-e1315411175488.jpg<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />The video Yonkers has pretty everything needed to shock viewers: Tyler the Creator eats a cockroach, throws up, says things like "Jesus called, he said he's sick of the disses I told him to quit bitching, this isn't a f*cking hotline For a f*cking shrink, sheesh, I already got mine" and ultimately hangs himself. Not unlike other artists at the VMA's, Tyler has an alter-ego named Wolf Haley.<br />In Conclusion<br />The VMAs are not simply a show designed to give out awards. They define who’s hot and who’s not. They celebrate in a ritualistic matter the type of “creativity” that is appreciated by the industry – superficial shock value. As we have seen in this article, almost all of the artists who obtained exposure during the VMAs have released albums and videos that were directly in line with the Illuminati agenda and that contains elements such as the promotion of mind control, self-destruction, materialism, superficiality, the sexualization of children and the demeaning of religions. Pushing these kinds of messages through lyrics and symbols is a requirement to be in the “good graces” of the industry – which is a giant, controlling machine, that works with codes and rituals and that heavily calculates and filters the messages sent to the masses.<br /><br />Although many of the artists featured on the show are “eccentric” and “original”, the core message remains the same and is remarkably consistent, regardless of the musical genre. Aspiring artists who dream to obtain this level of celebrity, understand that this is the “mold to fit” in order to obtain success. The VMAs are an artificial creation that artificially promotes artists to create artificial hype. It is a fake show, filled with fake personas who sing with fake voices, wearing fake wigs and cracking fake smiles, giving fake tributes to other fakes who have been fake longer than them. Are there still real, authentic artists who sing from the heart and do not push “industry-approved” messages? Yes, but you won’t find them watching the VMAs. So turn off that TV and see what the real world has to offer.<br /><br />http://vigilantcitizen.com/musicbusiness/the-2011-vmas-a-celebration-of-todays-illuminati-music-industry/

Comments

  • AndreaAndrea Posts: 3,787
    I picked up on the occult imagery at this year's VMAs.  They make it obvious and they want us to pick up on it.  But why?  Why is it being shoved down our throats repeatedly?  They know a lot of people out there can recognize the symbolism and imagery.  They know people will look into it.  And by doing so, we are exposing ourselves more and more to these images and thoughts.  We are putting our energy into it.  In the past few years, I've become well-versed in these images and various conspiracies.  But lately I've been thinking that those of us looking into it are also contributing to it, giving it credence and spreading it.  And that's exactly what they want.  How messed up is that??<br /><br />I'm not saying we shouldn't look for truth, I'm just saying we don't always have to fall into their trap and put our thoughts and energy into the occult.  It exists to be sure, but we give it that power as well. 
  • Interesting bit about Chris Brown. So it is true that he has broken away from the Illuminati. I know for sure they are harassing him in all sorts of ways since he broke away. The most in your face was obviously the Rihanna fiasco, which we all know by now was staged to make him look bad.<br /><br />He endures all kinds of sh*t now, even his personal life is in trouble. He keeps tweeting about his neighbors who call the cops on him every now and then, and they get his car towed away, etc. All things born of hate.<br /><br />I like how he keeps pressing on though. He just never stops working, has released so many songs in the last year and with Michael's backing, I am sure he will go far. Yes I think MJ is supporting him which is why Paris is always tweeting about Chris and saying she loves what he does,etc.<br /><br />
  • The triangle theme was the most obvious. <br />This year also had no host which I found odd.<br />Russell Brandt's words on Amy were repulsive and disrespectful to her memory and her family.<br />Gaga made me laugh with this guy persona just because it was so ridiculous. lol.<br />The rest of the VMAs:  /pull hair/  and a little bit of  /scream/
  • paula-cpaula-c Posts: 7,221
    In what i am concerned I am not going to participate, we never more in the votes of VMA made via the internet to choose if an artist is the best, in the case that is of interest to us that artist is MJ. The cause of the "death" by Michael they were the ones iluminatti trying to expose them and denounce them, Michael is the best artist of all times and all of us know that, but above all it is a great man, he doesn't need this shit 
  • SarahliSarahli Posts: 4,265
    on 1315572671:
    <br />In what i am concerned I am not going to participate, we never more in the votes of VMA made via the internet to choose if an artist is the best, in the case that is of interest to us that artist is MJ. The cause of the "death" by Michael they were the ones iluminatti trying to expose them and denounce them, Michael is the best artist of all times and all of us know that, but above all it is a great man, he doesn't need this shit  <br />
    <br /><br />You know Paula that's what I thought as well. When we know who's behind Michael doesn't need that.
  • it was very obvious to me what the vmas are about.there were all kinds of triangles and symbols and crazy outfits.nicki and katy were the most obvious.the are nothing more than mind controlled puppets and it is very sad,cause i dont think they realize they are being pimped by the industry.lil wayne i have to say is another example,but the males are not as obviously programmed as the females.j and bey are the king and queen and i guess kanye is the prince,lol.but this tyler the creator,is no doubt their next money cow,this guy us disgusting.im on the fence about chris brown is he in or not.i found his performance to be very strange.are they trying to tell  us that he is a puppet.
  • Don't support this type of music. Support REAL artists who are independent. Do not give the industry anymore of your dollars. <br />SUPPORT REAL ART!<br /> <br />This industry has gone way too far. They have tainted true art.<br />I want to see another Anita Baker, Dionne Warwick, Sarah Vaughn, Jimi Hendrix, Otis Redding, James Brown, Jackie Wilson, Billie Holliday, etc.<br />Artists who write, compose, sing without autotune  :roll: .<br />And most importantly are not being used to influence the masses.<br />I witnessed girls my age at the time when Britney Spears was the big pop singer.<br />They all dressed like little sluts, cut their shirts up, rolled their shorts up til their butts hung out, had sex young.<br />I tried to wear a belly shirt ONE TIME when I was 13. My older sister beat my ass (she was like a second mother only worse lol) and sent me back inside. I thank her for that! There are a lot of brilliant kids with self respect. but there are also kids who have no role models. They turn to these celebrities because of their status, their popularity. And these artists say 'your child is not my responsibility'! Oh yes they are! They are your audience, you make millions of dollars off of them, so they kinda are your responsiblity. <br />Sorry for the rant, but I was a young teen when Britney and Christina came out. I never liked their music truthfully. I was more of a TLC kinda girl ;)
  • These artists make me sick  /pull hair/<br />I'm raising 2 sisters, it's so hard to keep them away from these trashy artists, even though the older one (14 years) perfectly knows what they are up to (had a very long talk with her  :ugeek: :lol:). But i can't explain this kind of things to a 6 year old child, the only thing i can do is to show her other types of music, till now i've only succeeded in making her love Michael's music (which wasn't hard at all  michael-jackson/). But almost everyday when she comes back from school she sings some songs of Lady Gaga, Katy Perry etc. Because that's what her friends listen to during lunch breaks. Why/how 6 year old kids are bringing their music to school? They can't even write and read properly, but they sure know how to use a phone or an MP3 player /overreacting/. <br />I also remember the Britney Spears "era". Even though i lived faaaaaaaaaaaaaarrrrrrrr from Hollywood, in a city which some people don't even know exist, Tashkent in Uzbekistan. But we all sure knew who Britney was and what she was wearing. It was like a disease, all the things that TheMoonIsDancing has described. Fortunately for me, I somehow did not get infected.       
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