Does Conspiracy Extend to Musical Scale?
Sarahli
Posts: 4,265
Does Conspiracy Extend to Musical Scale?
"This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man."
by L. C. Vincent
(for henrymakow.com)
Prologue
Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter. Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.
The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:
[youtube:1nbwacr5]
Sound is also the basis for form and shape:
[youtube:1nbwacr5]
CONSPIRACY
Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.
Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.
Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.
It sounds like science fiction. Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of "A" above middle C would henceforth be said to vibrate at precisely 440 cycles per second.
This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.
The standard tuning fork, which is set to vibrate the note "A" above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.
Despite the apparent "sweet music" a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what "music" they may be playing.
These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body -- the brain -- into disharmonious resonance, which ultimately creates disease and war.
"MILITARIZATION OF MUSIC"
In a paper entitled "Musical Cult Control," Dr. Leonard Horowitz writes:
The music industry "...features this imposed frequency that is 'herding' populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness...." while the agents of this conspiracy provide 'therapeutic' pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires."
He says, "Energy (vibration) impacts "life" (biology) and our bodies through the most common medium of life: water. Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes. Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light."
As noted, the Rothschild-Rockefeller (Illuminati) alliance chose "....to determine the musical factors capable of producing psycho pathology, emotional distress and 'mass hysteria.'"
BAD VERSUS GOOD VIBRATIONS
The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.
However, the BSI -- British Standards Institute -- officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war. While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.
As Dr. Leonard Horowitz concludes: "Music bioenergetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love."
Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.
CONCLUSION
I don't know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich. However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.
Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.
"Intuitively, I think my sources are correct. But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister."
The Rockefeller--Illuminati axis, their money and research, imposed this artificial tuning "standard" upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity. It is high time for new, good vibrations to become ascendant and a "new standard" of vibrational tuning to emerge. It is time for the power of Love to triumph!
---
L C Vincent
<!-- e -->http://www.henrymakow.com/musicalscale.html<!-- m -->
I'm not a specialist and really cannot say much about the accuracy of this information and the author also concludes that the direct link is difficult to make but the interest of the Rockfeller and the Nazis in this subject is suspicious enough to raise questions. There is a connection between our body, our soul and the frequencies around us, I have no doubt about that. We know that the Illuminati control the Music Industry so the 'authorized' music and here we see that they even may control the frequency. Meaning that they don't 'just' put symbols in videos etc.
"This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man."
by L. C. Vincent
(for henrymakow.com)
Prologue
Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter. Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.
The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:
[youtube:1nbwacr5]
Sound is also the basis for form and shape:
[youtube:1nbwacr5]
CONSPIRACY
Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.
Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.
Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.
It sounds like science fiction. Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of "A" above middle C would henceforth be said to vibrate at precisely 440 cycles per second.
This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.
The standard tuning fork, which is set to vibrate the note "A" above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.
Despite the apparent "sweet music" a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what "music" they may be playing.
These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body -- the brain -- into disharmonious resonance, which ultimately creates disease and war.
"MILITARIZATION OF MUSIC"
In a paper entitled "Musical Cult Control," Dr. Leonard Horowitz writes:
The music industry "...features this imposed frequency that is 'herding' populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness...." while the agents of this conspiracy provide 'therapeutic' pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires."
He says, "Energy (vibration) impacts "life" (biology) and our bodies through the most common medium of life: water. Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes. Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light."
As noted, the Rothschild-Rockefeller (Illuminati) alliance chose "....to determine the musical factors capable of producing psycho pathology, emotional distress and 'mass hysteria.'"
BAD VERSUS GOOD VIBRATIONS
The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.
However, the BSI -- British Standards Institute -- officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war. While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.
As Dr. Leonard Horowitz concludes: "Music bioenergetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love."
Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.
CONCLUSION
I don't know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich. However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.
Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.
"Intuitively, I think my sources are correct. But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister."
The Rockefeller--Illuminati axis, their money and research, imposed this artificial tuning "standard" upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity. It is high time for new, good vibrations to become ascendant and a "new standard" of vibrational tuning to emerge. It is time for the power of Love to triumph!
---
L C Vincent
<!-- e -->http://www.henrymakow.com/musicalscale.html<!-- m -->
I'm not a specialist and really cannot say much about the accuracy of this information and the author also concludes that the direct link is difficult to make but the interest of the Rockfeller and the Nazis in this subject is suspicious enough to raise questions. There is a connection between our body, our soul and the frequencies around us, I have no doubt about that. We know that the Illuminati control the Music Industry so the 'authorized' music and here we see that they even may control the frequency. Meaning that they don't 'just' put symbols in videos etc.
Comments
If you want to know more about the power of the word "Aum" or "Ohm"
<!-- m -->http://www.omkarananda-ashram.org/Publi ... ord_om.htm<!-- m -->
<!-- m -->http://en.wikipedia.org/wiki/Om_mani_padme_hum<!-- m -->
Also intresting is this:
[youtube:c5cgpah4]
Moral of this story: You will reap what you sow.
And its a fact that al living beings need water and exist out of water.
<!-- m -->http://www.everystudent.com/features/isthere.html<!-- m -->
So there must be a god.. or a power.
Many other countries define it at 440 Hz.
the power of life and death in the tongue.
Turn back to 432HZ
<!-- m -->http://www.youtube.com/results?search_q ... usic+&aq=f<!-- m -->
Feel better?
I am however quite sceptical about the whole thing...I'm a classical musician who has been playing on pianos tuned to 440Hz since age 5 for hours everyday, and if I understood correctly I should have experienced some of the following?
Of course I can be wrong about what my personal characteristics/traits are/aren't, but...from what I know about myself...that's not me! <!-- s:) -->:)<!-- s:) -->
I will try and do some more reading into this later. It could well be that the intention behind this was indeed as described in the article, but I'm having a hard time believing the effects the 440Hz tuning can have on people as explained in this article! Of course I may have missed the whole point of the article completely <!-- s
That's because today's music is of very poor standards IMO (most of it at least) <!-- s:P -->:P<!-- s:P -->
Agreed!
Yeah, if not getting sick from listening, most of the music just makes a sistah wanna ScReaM out in annoyance! <!-- s:| -->:|<!-- s:| --> Very poor standards, indeed. Gotta sift the rotten pile to find the good artists in today's music that match the higher standards the OLD SCHOOL artists, like Michael held. <!-- s:) -->:)<!-- s:) --> <!-- s8-) -->8-)<!-- s8-) -->
You're welcome dontmakeitfactual <!-- s:) -->:)<!-- s:) -->
As I said I really don't know about the 'A=440Hz effect' I'm really not a specialist and you maybe know more than I do about this subject as you are a musician and in perfect mental health <!-- s:D -->:D<!-- s:D --> . I just found the article interesting regarding the global subject. Maybe that this frequency is not that bad or maybe that it can affect certain people only and sometimes to a scale we don't even realize and think that a person's behaviour is just normal, like someone who would get angry easily (it's just an example).
I understand here that the bad effects happen when all musical instruments are set in this frequency. Is it really the case? Are all instruments tuned in this frequency in an orchestra for example? I really don't know, it should be good to have a specialist's viewpoint and yes it deserves more investigation. <!-- s:) -->:)<!-- s:) -->
Yes, I can see that, and definitely think the subject warrants more research. I'm inclined to belive that the effects as they have been presented here may not be quite so extreme in reality (if at all), but I agree with you in that there may personal variables that can make the difference. You have to understand my initial shock, lol, after having been doing this for 20 odd years! <!-- s:? -->:?<!-- s:? -->
Just kidding <!-- s;) -->;)<!-- s;) -->
Yes, all instruments have to be tuned to the same frequency; there can't be differences in pitch, this would be quite chaotic <!-- s:) -->:)<!-- s:) --> Like when you are singing 'happy birthday' at a party and the whole thing sounds terrible because everyone is doing their thing, something like that, lol. It's general practice to tune all orchestras, ensembles,etc. to the 440Hz pitch. Sometimes in 'period' performances (when works are played on the original instruments of past periods) the pitch that it's believed to have been the norm of that particular period is employed, like A=415 for baroque music (but then all instruments involved must tune to the same frequency) If a piano is out of tune, any other instrument playing along must tune to whatever the frequency is. (Hope I answered your question!)
That would also explain why I can't tolerate alot of today's popular music! It gives me terrible headaches or the lyrics just disgust me... GONNA KEEP READING ON THIS TOPIC <!-- s8-) -->8-)<!-- s8-) --> <!-- s:geek: -->:geek:<!-- s:geek: --> <!-- s:ugeek: -->:ugeek:<!-- s:ugeek: -->
432Hz Song for you <!-- s:D -->:D<!-- s:D -->
[youtube:2n518z9g]
<!-- s:D -->:D<!-- s:D --> <!-- s:D -->:D<!-- s:D --> <!-- s:D -->:D<!-- s:D -->
This explains why this song (and most all his songs) gives me goosebumps and makes me feel pure love. It's as if nothing else matters but the song. You're completely IN it. As opposed to having it just be in the background. Music is not meant to be in the background. We are meant to be in it, to be an active participant in the song. So that after the song ends, we are just a little bit different, a little bit better, than before listening to it. This is what Michael means when he says he feels completely "nourished" by it... <!-- s:) -->:)<!-- s:) -->
Since its hard for me to understand all these english words lol , I googled it and found a lot of articles about it , Thanks
En français :
<!-- m -->http://musique-pour-soigner-les-plantes ... 32-hz.html<!-- m -->
<!-- m -->http://electra2zeiss.tonempire.net/scie ... -t2386.htm<!-- m -->
I'm just not convinced that tuning to 440 produces negative music. Anytime we sing a song a capella, we can be singing to 440 or any other frequency without being really aware of it (unless you have perfect pitch of course). I just can't get my head around as to how 440 is less natural than other frequencies given that all sounds exist in nature! Take a guitar and play an A, then move down to G# in a glissando and you will have gone through all frequencies from 450 to 415. In Asian music, all this mini intervals in a semitone in our western system can be part of the music -we mostly just use 12 notes but they can employ other sounds that exist 'in between' these notes, and their music still beautiful so...
I will definitely be doing some more reading on this subject though! <!-- s:) -->:)<!-- s:) -->
I've always loved Dr. Henry Makow. He has tons of excellent articles on NWO, other conspiracies, sexual influences in our culture.
Finally there is one interview where Michael talks about how music affects plants and animals and how they respond. Does anyone know where that is to post it? All I know is MJ's music thrills me to the core of my being and I "can't stop till I get enough". <!-- s:D -->:D<!-- s:D --> <!-- s:D -->:D<!-- s:D --> <!-- s:D -->:D<!-- s:D --> And it makes me feel lighter, too. <!-- s
Thank you all for your answers. God bless you.
Oh, yeah. THIS is exactly how people on the H.A.A.R.P. Project manipulated a herd of moose to, as a herd, (all means all!) begin to WALK BACKWARDS, on the plain where they had been just grazing or hanging out like moose DO.
They aimed their e.l.f.--designer frequencies at a herd of ANIMALS, to rule out personal resistence, or choice of volition. Oh, YEAH, this is a powerful weapon. In the H.A.A.R.P. awareness seminars I attended years ago, they seemed to be using ultra low frequencies---it was explained to me as meaning beyond human hearing; the sound you almost hear at the very very low end of the a.m. dial on a radio, in additon to certain expressions of sound we can hear...It was all too deep for me! I don't understand how one can measure the Hz, to know which to use or how to utilize this----but rest assured----THERE ARE UNSCRUPULOUS PEOPLE WHO DO!! <!-- s:o -->:o<!-- s:o -->
Just as a side trip; you know Lucifer was the original minister of music, in the heavenlies, with musical instruments built into his body.....he used his one power to create iniquity <!-- s:twisted: -->:twisted:<!-- s:twisted: --> using MUSIC as a <!-- s:x -->:x<!-- s:x --> weapon, instead of using it to bless and fill heaven with melody... <!-- s:( -->:(<!-- s:( -->
But he's not the final, ULTIMATE authority, any more than the evil queen's poison apple trumped the plan of Snow White's Prince. <!-- s:D -->:D<!-- s:D -->
Here is the thing I want to say here about this (AMAZING DISCOVERY, BTW <!-- s:!: -->:!:<!-- s:!: --> <!-- s8-) -->8-)<!-- s8-) --> ). I have suspected for some time, now, that when Michael Jackson was quoted as saying that "This will be the greatest
DEMONSTRATION
of Freedom in History"...he MEANT he actually WAS, INDEED, demonstrating something, some device, some contraption, some trickery, ON US---on everyone who was watching him die on the news June 25th...
Now, wait, before you get all indignant, and protest that our Sweety would NEVER---- <!-- s:o -->:o<!-- s:o --> <!-- s:? -->:?<!-- s:? --> <!-- s:x -->:x<!-- s:x --> <!-- s:evil: -->:evil:<!-- s:evil: --> <!-- s
YES HE WOULD, and...furthermore,
he IS.
He NEEDS to <!-- s:!: -->:!:<!-- s:!: --> <!-- s8-) -->8-)<!-- s8-) -->
If you believe the message---that he is trying to make us SEE---then, you KNOW that we wouldn't even believe him if he did NOT demonstrate this on us <!-- s:roll: -->:roll:<!-- s:roll: --> <!-- s:!: -->:!:<!-- s:!: --> <!-- s:!: -->:!:<!-- s:!: --> <!-- s:!: -->:!:<!-- s:!: -->
You KNOW it! It is a hard pill to swallow that none of your most cherished thoughts about a loved one are not your own...
Many people HAVE been questioning their own thoughts, though. All over the web, fans and non fans have been asking themselves
"WHY" <!-- s:? -->:?<!-- s:? --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s
["Why am I bawling like this over someone I never knew?" <!-- s:? -->:?<!-- s:? -->
"Why am I still crying a year later?"
"Why has this entertainer disrupted my entire life all year? What hold does he have over me---I can't explain it to my husband!!?" <!-- s:roll: -->:roll:<!-- s:roll: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:P -->:P<!-- s:P --> <!-- s:P -->:P<!-- s:P --> <!-- s:P -->:P<!-- s:P --> <!-- s:? -->:?<!-- s:? -->
"You want to marry MJ? Me too!" (side trip, again: when would this EVER be something to be joyful about; the potential sharing of a husband... <!-- s:? -->:?<!-- s:? --> )
Why are billions of women who haven't followed him since the eighties, back in mad passionate loooove with the guy???] <!-- s:? -->:?<!-- s:? --> <!-- s:o -->:o<!-- s:o --> <!-- s
WHY does a fifty2 (now <!-- s:) -->:)<!-- s:) --> ) year old man, have gals from 10 to 60 (so far, whose <!-- s:| -->:|<!-- s:| --> <!-- s:roll: -->:roll:<!-- s:roll: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:shock: -->:shock:<!-- s:shock: --> <!-- s:? -->:?<!-- s:? --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s
<!-- s:?: -->:?:<!-- s:?: --> WHY <!-- s:?: -->:?:<!-- s:?: -->
When I first stumbled upon this type of post, MJ had just died. I lambasted these girls for being disrespectful of someone I loved, and for being necromancers! <!-- s:x -->:x<!-- s:x --> <!-- s:o -->:o<!-- s:o --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:P -->:P<!-- s:P --> <!-- s:P -->:P<!-- s:P --> I accused them of feeding upon his corpse. <!-- s:? -->:?<!-- s:? --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:roll: -->:roll:<!-- s:roll: --> I was so offended...But they were ALL out of control---
And SO was I! <!-- s:o -->:o<!-- s:o --> <!-- s
THIS is NOT normal grieving. Uh...
Think about it--- were all crying harder than ANY of his immediate family. <!-- s:roll: -->:roll:<!-- s:roll: --> <!-- s:oops: -->:oops:<!-- s:oops: --> <!-- s:o -->:o<!-- s:o -->
My own mother had just died. She was (IS) my favorite person in the entire universe. I didn't even know Michael Jackson, beyond being some hot, all made-up publicity-stunt celebrity-guy, who coincidentally <!-- s;) -->;)<!-- s;) --> <!-- s:D -->:D<!-- s:D --> was the soundtrack to all our lives ... from my youth. The time he died, it was close of day, here, so, I was trying to drive home from work and had to stop the car, because I was crying so hard I couldn't SEE or even breathe, to drive...It was REAL. My heart was broken.
But...uh...WHY?
HOW did HE get in there, inside my heart to the point that his demise shattered every feeling I had? Many many of you did the same thing, and also thought it was bizarre--but then, we all told ourselves, "Hey, this is Michael Jackson---he's been a household word in my FAMILY all my life---he IS family----THAT'S why". Oh. Ok. Signed, sealed, delivered. ALL without you suspecting a thing. <!-- s:shock: -->:shock:<!-- s:shock: --> <!-- s;) -->;)<!-- s;) -->
SOME thing ELSE is going on...and, THIS IS IT.
Mind control. On such a scale we would NEVER believe it, UNLESS he was able to do it to us (albeit , in a way harmless way--such as MAKING us beLIEve we love him).
It is ingenius <!-- s:!: -->:!:<!-- s:!: --> <!-- s:!: -->:!:<!-- s:!: --> <!-- s
I THINK it is this: The Greatest Demonstration of Freedom in history...when he reappears, or stops the "transmission of the "MAJOR LOVE-RAY frequency", <!-- s:shock: -->:shock:<!-- s:shock: --> <!-- s
So true! MJ has his sound weapon and he knows how to use it. I'm one of his victims <!-- s
I just thought of a Doctor Oz show a few weeks ago where he had some guy come on who could break a wine glass with the right frequency and tone of sound, as shown here:
<!-- m -->http://www.youtube.com/watch?v=17tqXgvCN0E<!-- m -->
You're maybe right, one of the purpose of this hoax is to show how impressionable we can be. This is really to show us the incredible power of the media. This is one of the biggest lesson that I've learned since the day Michael 'died', even if I knew before and was the kind of person to say don't believe everything you read or see, that day I was really not happy with myself because when crying Michael's 'death' I understood that I had walked into the trap. And not only because this is a fake death but also because this pain and these tears were for a person I never met in all my life! Michael you got me! <!-- s